1-1 of 1 results  for:

  • 17th c./Early to mid-Baroque (1600-1700) x
  • Donor or Patron x
  • Music Manager or Administrator x
Clear all

Article

Michel Le Moël

(b c1650; d Paris, March 30, 1706). French musical amateur . The son of a Parisian doctor, Mathieu was inducted into the living of Saint-André-des-Arts, Paris, in 1678. In 1685 he commissioned Alexandre Thierry to improve the church organ; the organist was Claude Rachel de Montalan, Molière’s son-in-law. For several years Mathieu presided over weekly concerts which took place in his presbytry in rue du Cimetière-Saint-André (now rue Suger) and were attended by his parishioners, many of whom belonged to the famous families of the parlement. The spacious room on the first floor contained a chamber organ, a harpsichord by Philippe Denis, viols and violins. According to Jean de Serre de Rieux the only vocal music at the concerts was ‘Latin music composed in Italy by the greatest masters since 1650’ (Les dons des enfans de Latone, 1734). Italian composers represented in Mathieu’s 200-item library were G.B. Bassani, Melani, Lorenzani, G.P. Colonna and Foggia. French vocal music included works by Lully, Du Mont, Robert, M.-A. Charpentier, Nicolas Bernier, André Campra and J.-B. Morin. The library also contained instrumental music by Rebel and ‘Italian symphonies’ which may have included sonatas by Corelli. (M. Le Moël: ‘Un foyer d'italianisme à la fin du XVIIe siècle’, ...