(b Heilbronn, 1802; d Styria, 1890). German jew's harp and guitar player. After an initial lack of success in his native country, he travelled through Switzerland in 1825–6, eventually arriving in Paris where he worked as a guitar virtuoso. In 1827 his op.1 (a set of 12 airs for solo guitar) was published by Richault in Paris, and in the same year he appeared in London as a guitarist and jew's harpist. He produced extremely beautiful effects by performing on 16 jew's harps, having for many years cultivated this instrument in an extraordinary manner. The patronage of the Duke of Gordon induced him to return to London in 1828; but he soon found that the iron jew's harp had so injured his teeth that he could not play without pain, and he therefore spent more time playing the guitar. At length a dentist devised a glutinous covering for his teeth, which enabled him to play his jew's harp again. He was very successful in Scotland and thence went to Bath (...
Victor de Pontigny
revised by Paul Sparks
J. Bryan Burton
[Goyaałé, Goyathlay, Goyahkla ]
(b New Mexico, 1829; d Fort Sill, OK, Feb 17, 1909). Native American instrument maker, singer, medicine man, prophet, and military leader. He is better known in Western history for his military leadership of Western Apache resistance to reservation life during the 1880s. Goyaałé (“One who yawns”) was given the name Geronimo after an attack on a Mexican village on St. Jerome’s day when terrified Mexican soldiers cried out “Jeronimo” appealing for help from St. Jerome. After his surrender he was held as a prisoner of war, first in St. Augustine, Florida, then in Fort Sill, Oklahoma, until his death. His celebrity was such that he often made public appearances, including at the 1904 St. Louis World’s Fair, rode in Theodore Roosevelt’s inaugural parade in 1904, and wrote an autobiography with S.M. Barrett, the Oklahoma superintendent of education.
As a medicine man (Apache: diyan), Goyaałé performed Apache sacred ceremonies and rituals that required the knowledge of a vast repertoire of traditional songs sung during the ceremonies. A number of the songs he created were collected for Natalie Curtis’s ...
[‘Doc’ Tate ]
(b Fletcher, OK, July 3, 1932; d Lawton, OK, March 5, 1996). Native American (Comanche) maker and player of juniper flutes. He attended the Fort Sill Indian School and Haskell Indian Institute. He learned flute making from the Kiowa maker Belo Cozad (1864–1950) and the Lakota maker Richard Fool Bull (1887–1976). He used the traditional method of splitting the wood, carving the channel, boring the holes, and inserting the plug, then gluing the flute back together with sap, binding it with leather thongs, and attaching the external block. His first album, Indian Flute Songs from Comanche Land (NAM 401C, n.d.), was the first commercial recording consisting entirely of music for solo Indian flute. He introduced new playing techniques, including cross-fingerings to extend the range, and extending the warbling sound on the lowest tone to all the available pitches, thus expanding the flute’s repertoire and contributing to its revival in the latter 20th century. Tate (the English name given to him) was recognized as a National Heritage Fellow in ...