(b Anguilla, MS, March 21, 1919; d Hazel Crest, IL, 15 June, 1995). American gospel director, singer, composer, and publisher. Anderson established a career forming and training gospel groups in Chicago. His formative years were spent as one of the original Roberta Martin Singers, one of the premiere gospel groups of the 1930s and 1940s. He left briefly, between 1939 and 1941, to form the first of his many ensembles, the Knowles and Anderson Singers with R.L. Knowles. He rejoined Martin, but ultimately resigned because of the travel demands. In 1947 he formed Robert Anderson and his Gospel Caravan, but after several members left in 1952, he formed a new set of singers that recorded and performed under the name the Robert Anderson Singers through the mid-1950s. Throughout his career, Anderson recorded on a multitude of labels including Miracle and United with Robert Anderson and the Caravans; and later with the Robert Anderson Singers, on Apollo. Anderson wrote, and often sang lead on, many of the songs his groups performed, including “Why Should I Worry” (...
Roxanne R. Reed
[John Henderson ]
(b Whitehaven, TN, April 8, 1931). American singer-songwriter, producer, publisher, and entrepreneur. He began playing bluegrass while in the military and after his discharge in 1952, played at radio stations in Wheeling, West Virginia, and Boston. While enrolled in Memphis State University (from 1954), he worked nights and weekends at the Eagle’s Nest club. After working briefly for Fernwood Records, he was hired by Sun Records, where he recorded Roy Orbison, Jerry Lee Lewis, and Johnny Cash, among others. He wrote hits for several of Sun’s artists, including Johnny Cash’s singles “Ballad of a Teenage Queen” and “Guess things happen that way” (both Sun, 1958).
Clement left Sun in 1960 to became a staff producer for RCA in Nashville. In 1963 he moved to Texas, started a publishing company, and produced Dickey Lee’s hit “Patches” (Smash, 1963). After returning to Nashville in 1965, he discovered and produced Charlie Pride and wrote songs for a variety of country artists, including Pride (“Just between you and me,” RCA Victor, ...
(b Cleveland, OH, Aug 13, 1907; d New York, NY, March 13, 2002). American soprano, music publisher, and concert manager. She studied singing with Ruth Thayer Burnham while attending Abbot Academy, Andover, and later at Wellesley College (BA 1929). After two years as an actress at the Cleveland Playhouse, she sang in Gabriel Pierné’s La croisade des enfants with the Cleveland Orchestra (1932). She was then coached by Eva Gauthier in New York and made her debut there in 1934 at Town Hall in the North American premiere of Handel’s solo cantata La Lucrezia. Three years later she sang Butterfly and Tosca with the Royal Flemish Opera in Antwerp. After meeting Sibelius in Finland, she returned to the United States and introduced a number of his songs in concert (1938). During World War II Johnson escorted a convoy of refugees from Paris to Spain and as a result of the ordeal lost her voice. She joined the staff of ...
(b New York, NY, Jan 16, 1884; d Palm Springs, CA, April 21, 1985). American Impresario, music publisher, band manager, record producer, songwriter, and singer. He was the son of Russian Jewish immigrants who settled in New York. There, as a teenager, he worked as a song plugger and singer before establishing a music publishing business in 1919 with his brother Jack. With its emphasis on the work of black musicians, Mills Music became an important locus for jazz and dance band music. A shrewd business operator with a sharp eye for talent, Mills extended his business interests in the 1920s. He became manager of the Duke Ellington Orchestra (1926–39) and promoted several other African American bandleaders including Cab Calloway, Benny Carter, Fletcher Henderson, Jimmie Lunceford, and Don Redman. He also organized a series of recording sessions under his own nominal leadership, Irving Mills and His Hotsy Totsy Gang (...
[Ragsdale, Harold Ray ]
(b Clarkdale, GA, Jan 24, 1939). American singer-songwriter, multi-instrumentalist, producer, arranger, music publisher, television star, and entrepreneur. Harold Ragsdale began his musical career with a high school band that played R&B songs by the Coasters, Drifters, and other R&B groups. In 1955 the family moved to Atlanta, where publisher Bill Lowery signed him as a songwriter and secured his first recording contract with Capitol Records; Capitol’s Head of A&R, Ken Nelson changed Ragsdale’s name to Ray Stevens. After attending Georgia State University, where he studied music, Stevens had his first success with his recording of “Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills” (Mercury, 1961). In 1962 he moved to Nashville, supplementing his own recording career with work as a session musician, arranger, and background vocalist. He garnered a number-one pop hit and his first Grammy with his recording of “Everything is beautiful” (Barnaby, ...