(b Piraeus, May 19, 1929). Greek composer and musicologist. He graduated in theology from Athens University (1954), in neo-Byzantine music (1955) and harmony (1956) from the Piraeus League Conservatory, and in counterpoint, fugue and composition (1959) from the Hellenic Conservatory, where he studied with Yannis A. Papaïannou. At Brandeis University (1962–5) he studied composition (with Arthur Berger), Byzantine music palaeography and electronic music. In 1950 he revived the boys' choir of the Greek Royal Palace, which he directed until 1967. He also established and conducted the Athens Chamber Chorus (1958–61). Between 1961 and 1963 he taught Byzantine music at the Holy Cross Theological Academy, Boston, Massachusetts. In 1965 he established the first electronic music studio in Athens. He was a founder-member (1965) and later president (1975–85) of both the Hellenic Association for Contemporary Music and the Greek section of the ISCM. In ...
revised by George Leotsakos
Hans Heinrich Eggebrecht
(b Neuss, July 6, 1899; d Lüdenscheid, Sept 1, 1994). German musicologist and choir director. He studied musicology with Ludwig at Göttingen University (1919–21) and subsequently with Gurlitt at Freiburg University, where he received the doctorate in 1924 with a dissertation on the melodies Innsbruck, ich muss dich lassen and Ach Gott, vom Himmel sieh' darein. He was a lecturer at the Bauernhochschule in Rendsburg (1924–5) and at the Volkshochschule in Kassel (1925–6). He then acted as music consultant to the Central Office for General Librarianship in Leipzig (1926–8) and lectured in Protestant church music at the University of Münster (1930–39). After the war he lectured at the Landeskirchenmusikschulen of Hanover (1947–8) and the Rhineland (1949–57).
In the early 1920s Ameln embarked on a fruitful career as a choral and orchestral conductor and director of choral courses. His object was the authentic performance of old music, and this was coupled with considerable editorial work. He edited the journal of the Finkenstein League, ...
(Carlo Zanobi Salvadore Maria )
(b Florence, 8/Sept 14, 1760; d Paris, March 15, 1842). Italian, composer, conductor, teacher, administrator, theorist, and music publisher, active in France. He took French citizenship, probably in 1794, and was a dominant figure in Parisian musical life for half a century. He was a successful opera composer during the Revolutionary period, and had comparable success with religious music from the beginning of the Restoration. He was made director of the Paris Conservatoire and consolidated its pre-eminent position in music education in Europe.
In the biographical preface to his work catalogue, compiled in 1831, Cherubini gave 8 and 14 September as his dates of birth, but the records of the baptistery of S Giovanni state that he was born on 14 September (and baptized the following day). He was the tenth of 12 children. It has been claimed that his mother died when he was four years old (Pougin, ...
(b Budapest, Sept 26, 1943). Hungarian music historian and choir director. She trained as a secondary school music teacher and choir director at the Liszt Academy of Music, Budapest (1961–6), where her teachers were Zoltán Vásárhelyi, István Párkai, György Kroó and Zoltán Gárdonyi. She was librarian and associate scholar of the music section of the National Széchéniy Library (1966–73) and continued to be director of the library’s choir. She was a member of the Hungarian music history department at the Institute of Musicology of the Hungarian Academy of Sciences (1973–87), her field of speciality being 19th-century Hungarian music. In 1986 she became director of the Liszt Memorial Museum and Research Centre. In this capacity she co-ordinates Liszt research within Hungary and maintains contact with Liszt research abroad, being a member of the American and British Liszt Societies, and on the board of directors of the Weimar Liszt Society. In ...
revised by James Deaville
(b Würzburg, May 28, 1780; d Würzburg, Jan 5, 1862). German teacher, musical organizer, critic, theorist, conductor and composer. He studied music at the student institute of the Juliusspital in Würzburg, and studied law and philosophy at the university there. In 1801 he began his career as a violinist in the prince-bishop’s court orchestra. He also founded the Akademische Bande, a student choral and orchestral group, which in 1804 became the Akademisches Musikinstitut and was made part of the university, thus becoming the basis of the first state music school in Germany. His teaching and organizational work was of the highest importance and encompassed several disciplines and activities. He became reader in aesthetics in 1812, reader in pedagogical studies in 1819 and professor in 1821. In 1820 a singing school was established as part of the institute. He also conducted important historical concerts for King Ludwig I in ...
Hans Heinrich Eggebrecht
(b Bad Salzbrunn [now Szczawno-Zdrój], Silesia, Nov 20, 1925). German musicologist, choir director and composer. He studied singing with Hüsch, choir directing with Kurt Thomas, and musicology at the universities of Tübingen and Frankfurt, with sociology, Protestant theology and folklore as subsidiary subjects. In 1961 he received the doctorate at Frankfurt under Helmuth Osthoff with a dissertation proving through style criticism that Ghiselin and Verbonnet were the same person; he has also edited the complete works of that composer. He was Kantor at St Paul's in Stuttgart (1958–70) and in 1960 he founded the Stuttgart Schola Cantorum, which he led until it disbanded in 1990. He was adviser for new music for the South German Radio in Stuttgart (1969–88). In 1972 Pierre Boulez selected him to help in the planning of the Centre Beaubourg in Paris. His musicological estate is held by the Paul Sacher Stiftung....
Jere T. Humphreys
(b Wylie, TX, Oct 17, 1913; d Tallahassee, FL, Dec 13, 2004). American Music educator, conductor, scholar, and administrator. He earned degrees from North Texas State College (BS 1934), Teachers College, Columbia University (MA 1938), and New York University (EdD 1943). He was director of music for public schools in Texas (1934–7) and New York (1938–41), and taught at New York University (1941–3) and the University of Texas (1946–7). He served as an Executive Officer in the US Army Medical Administrative Corps in the United States and Philippines (1943–6). He then taught at Florida State University (1947–66), where he was named Distinguished Professor (1961). During those years he held a Fulbright Fellowship to Japan (1956–7) and summer appointments at North Texas State University, University of Michigan, and Indiana University. He served on committees and advisory boards for the US Department of State International Cultural Presentations Program (...
(b Bermuda, March 2, 1915; d Haslemere, June 5, 1983). English musicologist, conductor, music administrator and composer. He went to Peterhouse, Cambridge, in 1932. Dent guided his studies at Cambridge and a grant from his college enabled him to study with Nadia Boulanger in 1934. In 1935 he took the BA and the MusB and joined the BBC music department, where he organized the ‘Foundations of Music’ series and later became responsible for all broadcast chamber music and recitals. In 1938 he devised a memorable series ‘Handel in Rome’. After the war he returned to the BBC to plan the Third Programme, which gave its first broadcast in 1946. Lewis took charge of the organization and general direction of all Third Programme music.
In 1947 he was elected Peyton and Barber Professor of Music at Birmingham University, where he continued his pioneering activities. During his 21-year professorship he conducted many revivals of orchestral, choral and stage works, particularly Handel operas; these performances are remembered for the high standards they established. During this time Lewis was also active in the recording studio and made the first English recordings of such works as Monteverdi's ...
(b Piraeus, 1897; d Piraeus, 1981). Greek composer, music teacher, conductor, music manager, and historian.
He studied music theory with Geōrgios Lampelet and Armando Marsik at Athens Conservatory, and continued his studies in Leipzig with Fritz Benesevic and Max Steinizer. From 1914, and for several years, he was a teacher of vocal training in several schools and a professor in the Academy of Film Studies, of the Higher School of Cinema. He was a member of the board of the organization ‘Ellēnikon Melodrama’ [Greek Melodrama] and directing advisor; founder and conductor of the choir in the church of the Greek community in Leipzig; and founding member of the board of the Union of the Critics of the Theatre and Music, the organization ‘Arxaion Drama’ [Ancient Drama], the Greek Society of composers, writers, and publishers, among others. He was the director of the journal Mousika Chronika [Musical Chronicles] (...
(b St Quentin, Nov 27, 1881; d Paris, Dec 30, 1975). French choir director and musicologist. He studied at the Lille Conservatoire (1899–1900; premier prix for viola in 1900 under Charles Queste), then at the Schola Cantorum in Paris (1900–09), where he was taught the organ by A.M. Decaux, composition by d’Indy and counterpoint by Roussel; he also studied harmony under Libert. Raugel’s many posts during his long career were mainly those of organist and choir director: maître de chapelle at St Eustache (1911–28) and at St Honoré d’Eylau (1928–40); founder and director of the Handel Society (1909–14), the Chorale Française (1922–4), the Société des Etudes Mozartiennes (1930–39) and the Chorale Félix Raugel (1931); finally choir trainer for French radio (1934–47) and conductor of the Société Philharmonique in Reims (1926–62...
(b Northwich, Cheshire, May 17, 1912; d York, May 9, 2004). English writer on music and music educationist . He was educated at Christ’s Hospital (1924–30) and read English, music and history as an organ scholar at Selwyn College, Cambridge (1930–34; MusB 1933). He was director of music at Stranmillis Teachers Training College, Belfast, from 1934 until 1937, when he took the MusD at Trinity College, Dublin. From 1937 to 1944 he was music adviser to the city of Stoke on Trent. In 1944 he became director of music at Wolverhampton College of Technology; there he also formed a choir which gave many performances, particularly of lesser-known works by Handel. Since 1970 he has been a visiting scholar and lecturer at numerous colleges in the USA.
Young was an exceptionally fluent and prolific writer. His books include short popular biographies and several volumes for younger readers. Many of his more substantial writings are based on a lively, fresh and industrious, if not always highly discriminating, examination of source material; these include original research on Elgar and useful surveys of the British choral tradition and British music generally. As a composer Young was equally prolific: his works include a Fugal Concerto for two pianos and strings (...