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Roger J.V. Cotte

[Ennal, Charles-Ernest]

(b Fockenhof, Kurland, Feb 14, 1722; d Paris, March 24, 1791). French dilettante, amateur violinist and composer, patron of the arts and instrument collector. A magnificent and very wealthy nobleman, he both amused and astounded his contemporaries. M. Audinot in his comic opera La musicomanie (1779), and possibly E.T.A. Hoffmann in his tale Die Serapionsbrüder (1819), attempted to evoke his strange personality, emphasizing its ridiculous nature.

At the death of his father, a landed nobleman, in 1747, Bagge inherited a large fortune which enabled him to study the violin in Italy with Tartini. By 1750 he had settled in Paris; in the following year he was awarded the title chambellan du Roi de Prusse (then Frederick II) and married the daughter of the Swiss banker Jacob Maudry. With Maudry's death in 1762 the very large inheritance proved a source of contention to the ill-matched couple and they soon separated. Bagge later attempted to gain possession of the inheritance of Mme Maudry, who had died in ...

Article

Ann Willison Lemke

[Bettine, Elisabeth]

(b Frankfurt, April 4, 1785; d Berlin, Jan 20, 1859). German writer, editor, publisher, composer, singer, visual artist and patron of young artists. Although known today primarily for her writing and her illustrious associates, Bettine was also a talented musician. She composed songs in a simple folk style, choosing texts by poets she knew and loved, including Goethe, Achim von Armin, and her brother, Clemens Brentano. She helped gather songs for Armin and Brentano’s influential collection Des Knaben Wunderhorn (1806–8) and decades later published a fourth volume based on their notes (ed. Ludwig Erk, 1854). From 1808 to 1809 she studied singing and composition with Peter von Winter and the piano with Sebastian Bopp in Munich. Her first two songs appeared under the pseudonym ‘Beans Beor’ (‘blessing I am blessed’) with Arnim’s literary works. After her crucial meeting with Beethoven in Vienna (May, 1810), she mediated between him and Goethe....

Article

Nicholas Temperley

[Fane, John; later 11th Earl of Westmorland]

(b London, Feb 3, 1784; d Wansford, Northants., Oct 16, 1859). English amateur musician. He was the eldest son of the 10th Earl of Westmorland, a Tory politician, and was educated at Harrow and at Trinity College, Cambridge (MA 1808), where he studied music under Charles Hague. His career was political, military and diplomatic. He was MP for Lyme Regis (1806–16). From 1803 to 1815 he served in various campaigns in the Napoleonic wars, at one time as aide-de-camp to the Duke of Wellington (his wife’s uncle). He became a privy councillor in 1822, a major-general in 1825, lieutenant-general in 1838 and full general in 1854. He was British envoy at Florence from 1814 to 1830, resident minister at Berlin from 1841 to 1851 (acting as mediator between Prussia and Denmark in the Schleswig-Holstein dispute), and ambassador to the imperial court at Vienna from 1851 to 1855...

Article

E. Eugene Helm

revised by Derek McCulloch

[Friedrich II; Frederick the Great]

(b Berlin, Jan 24, 1712; d Potsdam, Aug 17, 1786). German monarch, patron of the arts, flautist and composer. His father, Friedrich Wilhelm I, was alarmed at his son’s early preference for intellectual and artistic pursuits over the military and religious. In spite of being supervised day and night and in the face of his father’s rages and corporal punishments, Frederick managed, partly through the complicity of his mother and his older sister Wilhelmina, to read forbidden books, to affect French dress and manners and to play flute duets with his servant. As a seven-year-old he was permitted to study thoroughbass and four-part composition with the cathedral organist Gottlieb Hayne. Wilhelmina, also musically talented, joined him in impromptu concerts. On a visit to Dresden in 1728 the prince was overwhelmed at hearing his first opera, Hasse’s Cleofide; there he also first heard the playing of the flautist J.J. Quantz, who soon thereafter began making occasional visits to Berlin to give Frederick flute lessons. The king tolerated such amusements for a while, but by ...

Article

(b Munich, July 18, 1724; d Dresden, April 23, 1780). German princess, composer, singer and patron. The eldest daughter of the Elector Karl Albert of Bavaria (later Emperor Karl VII) and of Archduchess Maria Amalia of Austria, she received her first musical training in Munich from Giovanni Ferrandini and Giovanni Porta. After her marriage in 1747 to Friedrich Christian, later Elector of Saxony, she continued her studies in Dresden with Nicola Porpora and J.A. Hasse. With the Seven Years War and the death of the elector in 1763 the cultural life at the Dresden court declined. Her lively exchange of letters with Frederick the Great of Prussia from 1763 to 1779 bears witness to her increasing sense of personal and artistic isolation; the musical ideals she had grown up with as a pupil and devotee of Hasse and a correspondent of Pietro Metastasio lost their validity, and new music, in particular the new Neapolitan operatic style, found no favour with her....