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Saadalla Agha Al-Kalaa

(b Aleppo, Syria, 1884; d Aleppo, Nov 26, 1952). Syrian musician and music researcher. He studied music and muwashsha singing in Aleppo and Istanbul. From 1912 to 1920 he lived in Turkey, where he taught music and wrote an unpublished book entitled The Real Theories in the Science of Musical Readings. On return to Aleppo he became leader of the Mawlawi Sufi group, playing the flute (nāy) during the ceremonies and teaching muwashsha singing.

In 1927 he was invited to teach at the Royal Institute of Music in Cairo; his pupils included the composers Riyād al-Sunbaṭī and Muḥammad ‘Abd al-Wahhāb. In Egypt he documented many old muwashsha and musical pieces. In 1931 he went to Tunisia to do joint research with the French musicologist Baron D'Erlanger, and while resident in Tunis taught muwashsha for six years. He made the first notations of Tunisian Andalusian ...

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Larisa Georgievna Danko

(b Leninakon [now Gryumri, Armenia], April 7, 1924; d Leningrad, March 12, 1977). Soviet musicologist, aesthetician, sociologist and critic. He graduated in 1949 from the faculty of theory and composition at the Leningrad Conservatory, in 1953 from the Research Institute of Theatre and Music, and in 1954 from the philosophy department of Leningrad University. A year later he joined the staff of the Leningrad Institute of Theatre, Music and Cinematography, and in 1968 was also appointed to a professorship at the Leningrad Conservatory. He was awarded the Kanditat degree in 1954 for his dissertation on populist song during World War II and received the doctorate in 1965 for his dissertation on Borodin. In 1976 he initiated the formation of the Soviet Union’s first department of music criticism, at the Leningrad Conservatory. In the last ten years of his life he was a director of the criticism and music studies divisions of the Leningrad Union of Composers and of the Union of Composers of the USSR....