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Wolfgang Boetticher

(b Schwäbisch Gmünd, c1445–50; d Vienna, early March 1526). German lutenist, composer and probably lute maker. His family came from Württemberg; his father may have been one Hartmann Judenkünig. He is first recorded in 1518 as a lutenist in the Corpus Christi confraternity at the Stephansdom in Vienna; he had probably already been working as a musician there for some time, and he lived in the oldest quarter of Vienna in a house called the ‘Gundlachhaus’, later celebrated under the name of ‘Köllnerhof’ as a centre for musicians and merchants. Although he was not a member of the nobility, his prominent position as a citizen is indicated by a coat of arms depicting a string player, which appeared in both his books; both books also include a full-page woodcut showing a bearded lutenist (probably Judenkünig himself), together with a pupil playing a large viol. Judenkünig was in contact with the learned humanistic community of Vienna: he arranged some of the odes of Petrus Tritonius, and he seems also to have been familiar with the ideals of the poetic-mathematical circle around Conrad Celtis. His date of death at an advanced age was recorded in the margin of one copy of his ...


Anne Beetem Acker

(b Vienna, Austria, 1370; d Nuremberg, Germany, 1401). Viennese physician, medical astrologer, organist, and presumed harpsichord maker. The earliest dated reference to what might be a harpsichord is in a letter from Padua of 1397 that names Hermann Poll as its inventor. Poll earned bachelor’s and master’s degrees from the University of Vienna between 1388 and 1395. In 1397 Poll went to the University of Pavia to study medicine (MD, 1398), and en route met the Paduan jurist Giovanni Lodovico Lambertacci, who asked Poll to deliver a cup to his son-in-law in Pavia. In the letter, Lambertacci wrote to his son-in-law describing Poll as ‘a very ingenious young man and inventor of an instrument called the clavicembalum.’ At the age of 31, Poll was discovered in a plot to poison the Elector Palatine of the Rhine, and died on the wheel.

R. Strohm: ‘Die private Kunst und das öffentliche Schicksal von Hermann Poll, dem Erfinder des Cembalos’, ...