1-2 of 2 Results  for:

  • 19th c. /Romantic (1800-1900) x
  • Instrumentalist x
  • Publisher or Editor x
Clear all


Philip Bate

revised by William Waterhouse

(d 1831). English woodwind instrument inventor, maker and player and music publisher. Having originally trained as a turner, he began his career playing oboe, flute and flageolet at two London theatres. As maker, his first patent was in 1803 for a new model of ‘English flageolet’, which, by changing the fingering of the tonic from six to three fingers, led in about 1805 to the development of his double flageolet model in collaboration with John Parry (ii) (1776–1851). Between 1808 and 1821 he was in partnership with John Wood as Bainbridge & Wood, writing and publishing tutors and music for his instruments. From cto 1835 the business was continued by Bainbridge’s widow Harriet, and thereafter until 1855 by his successor, Hastrick, whose mark usually included the words ‘late Bainbridge, inventor’.

The firm’s speciality was the ‘English flute’ or ‘English flageolet’ – not to be confused with the French or the ‘quadrille’ flageolet – in its single, double and occasionally triple form. In addition they made single and double concert flutes with flageolet-type heads to be held transversely. These instruments, designed for amateurs of both sexes, enjoued enormous popularity, the double flageolet being much plagiarised (in spite of two unsuccessful legal actions) by rival makers both at home and abroad. Bainbridge was perhaps the earliest wind-instrument maker with the all-round abilities required to launch such projects successfully, combining single-handedly as he did the diverse skills of inventor, performer, teacher, manufacturer, author and publisher....


Beryl Kenyon de Pascual

(b Madrid, May 11, 1815; d Madrid, Oct 7, 1886). Spanish clarinettist, music publisher and instrument inventor . Romero began to study the clarinet in 1826 and by 1829 he was playing in a regimental band and a theatre orchestra in Valladolid. He subsequently joined the band of the royal guards, rising to bandmaster in 1841, and was appointed supernumerary clarinet in the royal chapel in 1844. During the 1840s and 50s he also played in Madrid theatre orchestras as a clarinettist and oboist. From 1849 to 1876 he was professor of the clarinet at the Madrid Conservatory and briefly taught the oboe. He opened a shop in 1854 selling both music and instruments and in 1856 founded a music publishing firm. By 1870 he had incorporated an instrument factory into his business and in 1884 he added a concert room.

Romero was an influential figure in Madrid musical life. As a publisher he laid particular emphasis on making available works by Spanish composers and on enlarging the military band repertory. He published a series of specially commissioned Spanish-language tutors covering all conservatory and band instruments, himself writing those for the clarinet, the bassoon and the french horn. A modern revised edition of his clarinet tutor was still in use in Spain at the end of the 20th century. In ...