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(b Antwerp, Belgium, 13 Feb 1928). Belgian organologist and museum curator. She studied at the University of Ghent from 1948 to 1952 and received the PhD (1957) with a dissertation on music at the Burgundian-Habsburg court in the Netherlands. She started her career in 1953 at the Vlees-huis museum (Antwerp), where she cared for a small collection of historical instruments including Ruckers harpsichords in intact condition. Specialist visitors to the museum, including Raymond Russell and Frank Hubbard, encouraged Lambrechts-Douillez to undertake archival research on the Ruckers family, resulting in seminal publications. For guidance in the preservation of historical harpsichords she sought advice from John Henry van der Meer and members of the Galpin Society, with whom she built strong connections that helped bring the Vleeshuis collection to international attention, especially among instrument builders and early-music performers.

Lambrechts-Douillez was a founding member in 1960 of the International Committee of Musical Instrument Museums and Collections (CIMCIM), serving as its president from ...

Article

Susan E. Thompson

[Ruth Isabel]

(b Williamsburgh, MA, 30 April 1866; d Paris, France, 9 April 1928). American humanitarian, philanthropist, and instrument collector. A daughter of the silk manufacturer William Skinner, she attended the Vassar College Preparatory School and Vassar College (Class of 1887), where her interest in music was fostered. In adulthood, she divided her time between homes in Holyoke, Massachusetts, and New York City, becoming a patron of the arts and a benefactor of civic projects. In 1926 she established a fellowship that still enables Vassar College students to study history at a French provincial university. Skinner was awarded the Médaille de la Reconnaissance Française (1919) and the cross of a Chevalier de la Légion d’Honneur (1921) for contributions towards revitalizing war-torn villages in France following World War I. Following her death, her brother William provided the funds to erect a music building on the Vassar campus in her honour....

Article

E. Bradley Strauchen-Scherer

[Jane Rogovin]

(b New York, NY, 17 March 1922; d London, England, 12 Sept 1990). American ethnomusicologist and curator. Although born and reared in the Bronx, Jenkins portrayed herself as having been brought up in rural Arkansas surrounded by Ozark folk music. As a teenager, she learnt an extensive repertoire of folksongs and became active in American folk music circles. Like many folksingers of the era, Jenkins espoused socialism. She studied anthropology and musicology in Missouri but her support of trade unions and civil rights attracted the scrutiny of the FBI.

Her move to London in 1950 placed Jenkins beyond the reach of McCarthyism. There she continued her studies and secured leave to remain in the UK by marrying Clive Jenkins, a prominent trade union leader. In 1960 she became the first Keeper of Musical Instruments of the Horniman Museum and commenced fieldwork. She traveled in the USSR, Africa, Asia, the Middle East, and southern Europe to record and to build up a comparative collection of instruments for the Horniman. Jenkins organized exhibitions and published as curatorial duties permitted, but recording was her enduring legacy to ethnomusicology. She considered her banjo to be her most important piece of fieldwork equipment and she played to other musicians to encourage them to participate in recordings. Keen to capture music she perceived to be vanishing, she recorded more than 700 field tapes. Her frequent BBC broadcasts and commercially issued recordings introduced music from Asia and Africa to UK audiences and paved the way for the explosion of interest in ‘world music’. Jenkins’s original recordings and an archive of fieldwork photographs are held by the National Museums of Scotland....