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Claude Conyers

solidified his reputation as an unparalleled performer of the dance. From his collaborations with visiting European artists, Durang acquired skills in acrobatics, tightrope walking, classical ballet, clowning, pantomime, choreography, and theater management. In 1794 he appeared in Ann Julia Hatton’s Tammany: The Indian Chief , one of the first operas written in America with an American subject, and soon thereafter danced with Anna Gardie in La Forêt Noire , the first serious ballet given in America. In 1796 he produced his first pantomime for Rickett’s Circus

Article

Stephen Slawek

1999 . Uday Shankar is remembered for his eclectic approach to dance; he respected and blended together the formalized structures of the various classical dance traditions of India but professed allegiance to none of them. Instead he struck out alone to reinvent the cultural heritage of South Asia by creating a new dance form that sought its inspiration in what he perceived to be the Indian essences of the expression of emotion in movement. Shankar also deserves recognition for having taken numerous Indian musicians to the West; he prepared the way for the internati

Article

Claude Conyers

York , July 6, 1930 ). American modern dancer , choreographer , and teacher . Of Jamaican heritage, he grew up in Harlem where he learned all the popular dances of the 1940s and experienced West Indian music and dance on social occasions. Inspired by a performance of African dance by Pearl Primus, he auditioned for and won a scholarship to the New Dance Group in 1947 . There he trained in modern dance, ballet, tap, and various ethnic dance traditions, and within a year he had made his professional début and had choreographed his first dance, Saturday’s Child (