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Joachim E. Berendt

revised by Wolfram Knauer

Mangelsdorff (with whom he also occasionally performed in the German All Stars), and, from 1986 , collaborated with the songwriter Konstantin Wecker. In his early work Dauner’s piano playing showed traces of Bill Evans (ii) and Paul Bley, but he soon developed an individual virtuoso style combining intense free improvisation with lyrical and meditative passages. His compositions in the mid- to late 1960s made use of jazz and contemporary art music, and often incorporated elements of theatre, opera, and dance; Free Action (originally performed at the Berliner Jazztage