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John Daverio and Eric Sams

orchestral tone portraiture of the sunrise episodes (no.4) and the migrating cantus firmus technique of the midnight scene (no.5). Similarly, the music evokes a variety of genres across the span of the work: lied (no.2), horror opera (nos.3 and 5), grand opera (nos.5 and 6), oratorio (nos.4 and 7) and church music (nos.3 and 7). Deeply sensitive to the all-inclusiveness of Goethe’s drama, Schumann created a manifold musical world in his Faust scenes. 18. Director in Düsseldorf, 1850–54. On their arrival in Düsseldorf on 2 September 1850 , and over the course