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American society. The knowledge that tuneful “middlebrow” music would attract followers led her to compose over 200 gospel songs and hymns (including at least 11 collections, such as Tabernacle Revivalist [1923] and Foursquare Hymnal [four editions by 1944]), as well as sacred “operas,” oratorios, and cantatas such as Christ, the Bridge ( 1926 ), Regem Adorate ( 1929 ), The Iron Furnace ( 1931 ), The Crimson Road ( 1932 ), Bells of Bethlehem ( 1934 ), and The Rich Man and Lazarus ( 1938 ), for vocal soloists, chorus, orchestra, and/or wind band. Charles