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Leon Plantinga

revised by Luca Lévi Sala

pianists at all levels. Thus in several ways he impressed his stamp on piano playing and writing from about 1790 until far into the 19th century. And increasing numbers of modern editions and recordings of his works made 20th-century musicians and audiences aware once more of his virtues as a composer. Workslist for more detailed information on sources, see Tyson (1967) and the Clementi Critical Edition (CCE, 2008—); opus numbers are those of the most authentic editions, as determined by Tyson and updated in the new catalogue [CCE xv] (sn – senza numero d’opera; wo – without