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Kurt von Fischer

revised by Gianluca D’Agostino

more have the superius and tenor texted, a pattern that made its first appearance in the works of Landini; six have all voices texted, in the Italian manner). 12 of these 18 works are in French mensurations (eight in 6/8 and four in 9/8). Verto and chiuso endings occur in 31 pieces (often cadencing on D, E, D), including all the pieces with text in the superius alone; whereas this double ending is hardly ever found among the works with text in all voices and in those with two parts texted. French influence can also be suspected wherever in place of smooth flowing