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date: 10 April 2021

Arlt, Wulf (Friedrich)locked

  • Jürg Stenzl



(b Breslau [now Wrocław], March 5, 1938). German musicologist. He studied musicology at the universities of Cologne (1958–60), and Basle (under Schrade), where he obtained the doctorate in 1966 with a dissertation on the Beauvais Office for the Feast of the Circumcision. As an assistant he maintained and expanded the Basle microfilm archives, and became editor of Palaeographie der Musik, prepared by Schrade. In 1965 he was appointed lecturer at Basle University, where he completed his Habilitation in musicology in 1970 with a work on the theory and practice of Ars Subtilior; he was appointed supernumerary professor in 1972. From 1971 to 1978 he was also director of the Schola Cantorum Basiliensis, the teaching and research institute for early music in Basle, and editor of the journal Basler Jahrbuch für historische Musikpraxis. He was made professor and chair of musicology at Basle in 1991.

In his research Arlt has concentrated on music of the Middle Ages. He is concerned with creating a productive relationship between the musicology of the past (in the tradition of Schrade and Handschin) and current approaches in the discipline. His writings focus on the genre, notation, analysis and interpretation of medieval, 17th- and 18th-century music, and he is particularly concerned with investigating the connections between music and text. Best known for his publications on medieval music, he has examined liturgical genres (particularly the trope and the lied), early polophony, the motet, Machaut and the history of the chanson. In his work with the Schola Cantorum Basiliensis, he has successfully fused new findings in musicology with new standards of performance, assisted by international specialists in early music. His contribution in this area is exemplified by his collaboration with Dominique Vellard, whom he has advised on performing practice and style for a recording series which includes 11th-century polphony, tropes from the St Gallen Codices 484 and 381, and the ‘nova cantica’ of the Engelberg Codex 314....

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Revista de musicología