Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 19 February 2020


  • Ireneu Segarra


Benedictine monastery near Barcelona. It has been a very important centre of pilgrimages and devotion to the Virgin Mary from the 11th century. Music has played an important role in these activities especially since the foundation of the Escolanía in the 12th century. The Llibre Vermell, a 14th-century manuscript in the monastery archives, records details of the musical life at Mary’s shrine. Two abbots, A.P. Ferrer (13th century) and Garcías de Cisneros (16th century), regulated in their constitutiones and regula puerorum the life of the escoláns (boy singers) and their participation in the religious services. The Escolanía was at its zenith from the beginning of the 17th century until its destruction by Napoleon’s army (1811); it could be classified as a music school where boy singers were trained. Joan March (1582–1658), who succeeded Victoria as organist of the convent of Descalzas Reales in Madrid, was the first to give the Escolanía its characteristic traits. The pupils of Joan Cererols, who taught there, were much admired throughout Spain and some of his works were published in ...

You do not currently have access to this article


Please login to access the full content.


Please subscribe to access the full content.

Anuario musical
Barcelona, Orfeó Catalá, Biblioteca