Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 12 July 2020

Pulse (Fr. battue; Ger. Takt, taktschlag; It. battuta)locked

  • Justin London

Extract

(Fr. battue; Ger. Takt, taktschlag; It. battuta)

Used synonymously with Beat to refer to regularly recurring articulations in the flow of musical time. Tactus is often used interchangeably with either ‘beat’ or ‘pulse’, but historically ‘tactus’ has a somewhat different meaning ( see Rhythm, §II, 5 ). Pulses need not be phenomenally present in music, though they typically are. Rather, the sense of pulse arises through the listener’s cognitive and kinaesthetic response to the rhythmic organization of the musical surface ( see Rhythm, §I, 4 ). Pulses usually are evenly spaced, though they need not be; for example, the ‘limping’ rhythms of Slavic folk music obtain that quality precisely in their arrangement of non-isochronous pulses. A clear sense of pulse is a necessary condition for musical metre, as it forms the temporal anchor for higher levels of metric structure (measures or bars marked by downbeats) as well as smaller levels of metric subdivision. Beats or pulses must fall within a certain temporal range, close to what historical discussions of ...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.