Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 17 January 2021

Society of Black Composers [SBC]locked

  • Eldonna L. May



African American composers collective, established in 1968 and dissolved in 1973. Believing that black music was a catalyst for social change and community coalition building, an eclectic, politically active, visionary group of young composers came together in New York in 1968 to found the Society of Black Composers. Their agenda was tripartite: to develop their composition skills, to promote the work of black modern and classical composers, and to enrich the cultural life of black communities. In addition to supporting the work of African American composers, the collective sought to increase musical, political, and cultural awareness. It presented concerts, colloquia, and lectures to perform and discuss the music of its members. The society also broadened the scope of contemporary musical composition by incorporating elements of other cultural traditions.

The society’s members hailed from diverse musical backgrounds, ranging from jazz to classical to avant-garde, and included Talib Rasul Hakim (Stephen Chambers), William Fischer, Carman Moore, Dorothy Rudd Moore, John Price, Alvin Singleton, Roger Dickerson, Primous Fountain, James Furman, Adolphus Hailstork, Wendell Logan, and Olly Wilson. Support from the Ford, Fulbright, Guggenheim, and Whitney foundations, the National Endowment for the Arts, and the National Endowment for the Humanities enabled members to study and perform in Europe and Africa....

You do not currently have access to this article


Please login to access the full content.


Please subscribe to access the full content.