- Marita P. McClymonds
Opera seria in three acts by Angelo Tarchi to a libretto by Ferdinando Moretti; Milan, Teatro alla Scala, 27 December 1783.
Ademira (soprano) has fallen in love with her captor, the Roman emperor Flavio Valente (soprano castrato). Her father Alarico [Alaric] (tenor), King of the Goths, has sworn vengeance on the emperor because he killed his son in battle. In an attempt on the emperor’s life, Alaric mistakenly stabs his own ambassador Eutarco (contralto castrato), who reveals that the man whom he thought to be his son had actually been switched at birth with Auge (soprano), Ademira’s sister, now posing as her friend. Alaric then embraces his newly found daughter and blesses the union of the lovers. The opera is innovatory for incorporating large choruses and dance: an antiphonal chorus serves as an introduction, a chorus with central solo section is used in Act 1, and a divertimento with dance and chorus opens Act 2. A conventional duet and a trio conclude each of the first two acts, but a dramatic cavatina ...