1-5 of 5 items  for:

  • Abbreviation: "AMZ" x
  • Publisher or Editor x
Clear all

Article

John Warrack

revised by Cecelia H. Porter

(b Sulza, Thuringia, March 7, 1783; d Leipzig, Aug 27, 1846). German critic, editor, theologian and composer. The son of a Reformed pastor, Gottfried was a chorister at Naumburg. In Leipzig he studied music and theology (1804–9) and served as a Reformed pastor (1810–16), establishing and directing a theological seminary (1814–27). He also composed many songs and in 1808 began writing for the Allgemeine musikalische Zeitung, of which he succeeded Gottfried Christoph Härtel as editor (1827–41). He taught at the Leipzig Conservatory (1838–43) and was briefly its director in 1842.

Fink was initially neutral in the controversy between Classicism and Romanticism, and was friendly with Weber, who gave his Sechs Lieder (1812) a warm review in the Allgemeine musikalische Zeitung and printed one song, Die Liebenden, in full. However, Fink later took up a stubborn stand against the younger Romantics. He published only half of Schumann's enthusiastic review (...

Article

Anne Schnoebelen

(d Bologna, 1711). Italian music publisher and editor. He began his career as a seller of books and music, trading ‘at the sign of the violin’. He occasionally used the presses of the Bolognese printer Giacomo Monti, particularly for the anthologies of Bolognese music that he edited (Sacri concerti, 1668; Nuova raccolta di motetti sacri, 1670; Canzonette per camera a voce sola, 1670; Scielta delle suonate a due violini, con il basso continuo, 1680), and for several other publications in 1683–4. From at least 1665 until his death he also did his own printing. His music publications include both sacred and instrumental music by G.B. Bassani, Cazzati, Aldrovandini, Cherici, G.P. Colonna, his son Giuseppe Antonio Silvani, Corelli, Jacchini and Manfredini. He published at least three lists of his printed works in 1698–9, 1704 [?1701] and 1709 [?1707]. After his death his heirs continued the firm, publishing a reprint of Corelli’s op.5 and G.A. Silvani’s op.7 (both in ...

Article

Horst Leuchtmann

revised by James Deaville

(b Leipzig, Feb 12, 1769; d Leipzig, Dec 16, 1842). German critic, writer and editor. He was educated at the Thomasschule, Leipzig, where he studied composition and counterpoint with the Kantor, J.F. Doles. He began composing at an early age and was 17 when his cantata Die Vollendung des Erlösers was first performed. It was perhaps the impression made on him by Mozart, whom he met in Leipzig in 1789, that caused him to doubt his own talent and abandon a musical career; on his father’s advice he began studying theology, but in 1794 he chose the career of a writer, since his humble background prevented advancement in the Church. He published many stories and dramatic works, as well as popular scientific articles, most of which found recognition in his lifetime. He enjoyed close ties with Weimar: a Lustspiel by Rochlitz was performed there in 1800, performances of three other stage works soon followed and Rochlitz visited Weimar in ...

Article

Milton Sutter

revised by Carlida Steffan

(b Friuli, ?1770; d Venice, early 1830). Italian music lexicographer, teacher and composer. He studied music in Padua with Jacopo Agnola and then went to Venice, where he taught theory and composition. There, in 1801, he published his Dizionario della musica sacra e profana, the first music dictionary in Italian, which he described as modelled on the French works by Brossard and Rousseau, and Grammatica ragionata della musica, an introduction to the elements of music and musical instruments, which included an annotated bibliography of writers on the theory and practice of music from 1500 to the end of the 18th century. Second editions of both works, the Dizionario revised and much enlarged, appeared in 1820. A reprint of this edition of the Dizionario appeared in 1830 (called the third edition on its title-page). Although much of the material in both editions of the Dizionario is superficial and incorrect, a few of the entries are useful, providing information not easily found elsewhere. In ...

Article

Howard Mayer Brown

revised by Lynda Sayce

(b Nuremberg, c1500; d Nuremberg, 1570). German instrumentalist, lute maker and compiler and arranger of several volumes of instrumental music. He was probably the son of Conrad Gerle (d 1521), a well-known lute maker in Nuremberg. He may be presumed to have spent his life in his native city. He may have been related to Georg Gerle who worked as an instrument maker in Innsbruck during the second half of the 16th century.

Hieronymus Formschneider of Nuremberg published three volumes of music by Hans Gerle: Musica teusch, auf die Instrument der grossen unnd kleinen Geygen, auch Lautten (1532), Tabulatur auff die Laudten (1533) and Eyn newes sehr künstlichs Lautenbuch (1552). On the title-page of the last volume the author called himself ‘Hans Gerle den Eltern’ (the elder), implying the existence of a younger relative with the same forename.

The first volume, ...