(b Freiburg, April 6, 1931). German musicologist and record producer. From 1950 he studied the piano with Edith Picht-Axenfeld at the Staatliche Hochschule für Musik in Freiburg, qualifying in 1956. He subsequently studied musicology with Gerstenberg at the University of Tübingen and briefly at Heidelberg and Vienna, taking the doctorate at Tübingen in 1960 with a dissertation on Mozart's arrangement of Handel's Messiah. In 1960–61 he was in Italy studying sources for the new Mozart edition. He then became a research assistant at the musicology institute of Hamburg University, where he completed his Habilitation in musicology in 1967 with a dissertation on the Winchester organa. After working as a Privatdozent he became professor of musicology at Hamburg University (1971). He was made director of the Archiv label of Deutsche Grammophon in 1970, vice-president of Polydor International in 1981 and president of Deutsche Grammophon Gesellschaft in 1986...
Hans Heinrich Eggebrecht
revised by Konrad Küster
Hans Heinrich Eggebrecht
(b Bad Salzbrunn [now Szczawno-Zdrój], Silesia, Nov 20, 1925). German musicologist, choir director and composer. He studied singing with Hüsch, choir directing with Kurt Thomas, and musicology at the universities of Tübingen and Frankfurt, with sociology, Protestant theology and folklore as subsidiary subjects. In 1961 he received the doctorate at Frankfurt under Helmuth Osthoff with a dissertation proving through style criticism that Ghiselin and Verbonnet were the same person; he has also edited the complete works of that composer. He was Kantor at St Paul's in Stuttgart (1958–70) and in 1960 he founded the Stuttgart Schola Cantorum, which he led until it disbanded in 1990. He was adviser for new music for the South German Radio in Stuttgart (1969–88). In 1972 Pierre Boulez selected him to help in the planning of the Centre Beaubourg in Paris. His musicological estate is held by the Paul Sacher Stiftung....
Allan W. Atlas
(b Noyon, early 16th century; d Rome, 27–31 Dec 1573). French choir director and composer, active in Italy. The earliest known documents concerning his career indicate that he was a chaplain at S Maria Maggiore and the director of its Cappella Liberiana. As such, he may have had the young Palestrina in his charge. On 25 October 1545 Lebel became maestro di cappella at S Luigi dei Francesi, a position that he retained for 16 years until September 1561, when he was succeeded by Annibale Zoilo. His directorship was an extremely successful one; he managed to enlarge the chapel from a group of two adults and two boys in 1548 to one of seven adults and two or three boys in 1552. On leaving S Luigi on 4 September 1561, he joined the papal chapel; so great was his reputation that Pius IV issued a motu proprio waiving the usual entrance examination and in ...
Claude V. Palisca
(b Rome, c1550; d Rome, March 11, 1602). Italian composer, organist, singing teacher, dancer, choreographer, administrator and diplomat. He was the composer of the first surviving play set entirely to music, the Rappresentatione di Anima, et di Corpo (Rome, 1600), the score of which is the earliest one printed with a figured bass.
Cavalieri was the son of Lavinia della Valle and Tommaso Cavalieri (1512–87), an architect and intimate friend of Michelangelo Buonarotti. His brother, Mario (d 1580), coordinated the Lenten music in the Oratorio del SS Crocifisso in S Marcello, Rome, between 1568 and 1579. He himself also participated in this Oratorio both as an organist and as a coordinator of Lenten music from 1578 until at least 1584 (the account books are missing for 1584–94); during his administration the yearly expenditure on music rose from 51 to 140 scudi....