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Susan Bain


(b Brussels, 1550; d Venice, 1610). Flemish copperplate engraver. One of a family of engravers, he worked in several German cities, notably Munich, and in Italy. His works include a number of devotional music publications (1584–90; some ed. in Organum, 1st ser., xix–xx, Leipzig, 1930). These engravings, sometimes known as ‘picture-motets’, show angels or biblical figures singing and playing from partbooks and may have been published in support of the Counter-Reformation. Their popularity is demonstrated by the fact that the earliest example, C. Verdonck’s Ave gratia plena (Antwerp, 1584), was reprinted at Rome in 1586 and at Antwerp in 1587. The composers, artists and engravers were all Flemish and these fine engravings, with the music complete and legible, bear witness to the thriving artistic life in Antwerp at the end of the 16th century. Although their influence on Verovio is largely conjectural, they are important in their own right as particularly beautiful and unusual examples of early music engraving. One of the finest, Pevernage’s ...


Hans Radke

(b Amsterdam, 13–21 Aug 1621; d Leiden, bur. Oct 8, 1653). Dutch lawyer . His father was Anthony Thijs, a merchant in Amsterdam. Thysius enrolled at the University of Leiden on 13 August 1635 and read philology and law. Between 1646 and 1648 he travelled in France and England to further his studies. Returning to Leiden he registered again on 27 August 1648 and graduated in law on 21 August 1652.

He owned an important library and founded the Bibliotheca Thysiana. In it is preserved a manuscript lutebook in French seven-line tablature. Though several scholars have suggested more hands, the volume was probably compiled by the Amsterdam minister Adrian Joriszoon Smout (b Rotterdam, c1580; d Rotterdam, Feb 1646), as a reference ‘Johan Thijs wt d' Auctie van Smoutius’ in the manuscript suggests, from his student time in Leiden (1595–1601) into at least the 1620s. With some 452 pieces, mostly for solo lute, it is the richest Dutch collection of lute music and one which shows the international aspect of musical taste in the Netherlands at that time. The manuscript contains intabulations of Dutch, English, French and Italian songs, Reformation psalms, motets and some 164 dances, mainly French, English, Italian and Dutch in origin, as well as six fantasias, including one by Francesco da Milano. Claude Le Jeune, Claude Goudimel, Orlande de Lassus, Peter Philips and Jan Pieterszoon Sweelinck may be singled out among the composers of the songs on which the lute intabulations are based, and John Dowland, Robert Jones and Thomas Robinson are among the composers of the dances. A few pieces come from collections by E. Adriaensen published in Antwerp in ...


Marie Louise Göllner

(b Hadamar, July 26, 1502; d Frankfurt, Feb 9, 1555). German printer. He enrolled as a student at the University of Mainz in 1516, probably remaining there until 1519. In 1528 he established a printing business in Strasbourg. In 1530 he moved to Frankfurt, where he was accepted as a citizen in the same year and began printing in 1530 or 1531. During the years 1538–43 he also maintained a subsidiary firm in Marburg where he was official university printer. He soon left this branch in the hands of his assistant, Andreas Kolbe, and returned to Frankfurt. After his death the firm was continued by his widow Margarethe until 1572, when she divided it among his heirs, who continued publishing under the name Egenolff until 1605.

Egenolff was the first printer of any importance in the city of Frankfurt, which was to become one of the main centres of the trade in the later 16th century. His production of about 500 works was large for his time; it included works in a great variety of fields such as medicine, science, history and the classics. His music publications, though a very small part of the total output, reflect his close ties to the humanistic movement and to the leaders of the Reformation. The earlier edition of Horatian odes (...


Edmond Strainchamps

(b Florence, Nov 16, 1567; d Florence, July 15, 1648). Italian composer and lutenist. Cesare Tinghi, the Medici court diarist, called him (in Solerti) ‘Lorenzo [or Lorenzino] todesco del liuto’, which has encouraged the notion that he may have been German, but his baptismal record confirms that he was from Florence. He entered the ranks of salaried musicians at the Medici court on 15 April 1604 as a lutenist; during the period 1636–7 he was referred to as maestro di liuto. In January 1622 he was appointed guardaroba della musica, and in due course he was also placed in charge of the pages who played, sang and danced in court entertainments. He continued to serve the court until his death. He seems chiefly to have written instrumental music. Only two vocal pieces by him are known: Tu piangi, a madrigal for solo voice and continuo published in Antonio Brunelli's ...


Victor H. Mattfeld

(b Eisfeld an der Werre, Suhl, 1488; d Wittenberg, Aug 6, 1548). German publisher. Working in Wittenberg, removed from the main centres of music publication, he became one of the most important music publishers, particularly for the Reformation church. He studied at the University of Wittenberg (1512–14), and then worked for four years in the publishing house of Johann Rhau-Grunenberg (presumably his uncle). In 1518 he left Wittenberg to become Kantor of the Thomasschule and Thomaskirche in Leipzig, a position he held until at least 1 May 1520. On 18 September 1518 he also joined the faculty of the University of Leipzig, lecturing in music theory.

Rhau may have been associated with the circle of theologians surrounding Luther in Wittenberg; as a resident of that city at the time of the nailing of the 95 theses, he was certainly aware of Luther’s position. In June 1519...