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Karel Steinmetz

(b Chrudim, Czechoslovakia, 24 June 1947). Czech pop singer. The daughter of musical parents, she was taught the piano and singing as a child. As a student she was successful in talent competitions in Prague, voted fourth – and two years later, first – in a poll of Czech singers. After completing high school (Gymnasium) at Chrudim (1965) she became a member of the Rokoko Theatre in Prague, and began making recordings for radio and appearing on television. In 1966, together with Marta Kubišová, a colleague at the Rokoko Theatre, she took part in the prestigious Czechoslovak Bratislavská lýra festival, and won the second prize. In 1968, together with Marta Kubišová and Václav Neckář, she set up the Golden Kids, a very successful trio, which was dissolved three years later owing to the politically motivated prohibition of further performances by Marta Kubišová. At that period she became the most successful Czech female singer abroad; she recorded albums for companies in Japan and in the German Federal Republic, and appeared regularly at international festivals and venues in Canada, Brazil, Cuba, and Turkey, achieving her highest success in winning the Grand Prix in ...

Article

Claire Levy

(b Haskovo, 29 June 1896; d Sofia, 31 July 1978). Bulgarian singer, internationally famous as a schlager performer, nicknamed the ‘Knight of the Upper F’. As a child he was a solo singer in the church choir in the town of Stara Zagora. Later on he went to the military school in Sofia and in 1920 took professional vocal lessons. In 1923 Leshnikoff went to Berlin, where he received a scholarship at the Sternischen Konservatorium. In 1927 he was appointed at the Grosses Schauspielhaus – a review theatre – and in 1928 joined Comedian Harmonists, a newly formed male vocal sextet, to perform the first tenor part. Becoming one of the most popular groups in Europe before World War II, Comedian Harmonists developed a style, based on aspects of German schlager, bel canto opera singing, pleasing tunes influenced by traditional lyrical songs, and Afro-American-derived patterns associated with the blues, gospel, and close harmony vocal techniques. Their records were released by labels including Odeon, Electrola, Columbia, and His Master’s Voice. In ...