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Article

Véronique Roelvink

Gheerken, Gerit, Gerrit, Gerryt, Gheeraert, Geerhart, Gerard, Gerart],[die Hondt, die Hont]

(fl 1521–47). South Netherlandish composer, born in Bruges, probably around 1495. He was the son of the Bruges tegheldecker (roofer/tiler) Jacob de Hondt, who originated from a family of Bruges city roofers, living in the parish of St Jacob. We have no information on Gheerkin’s musical education, in Bruges or elsewhere. The first trace of Gheerkin de Hondt as zangmeester is found in the archives of the Nieuwe Kerk in Delft, where he became coraelmeester on 3 June 1521. He left the church in 1523, and returned for the period from 1 August 1530 to March 1532. On 13 July 1532 he is mentioned as zangmeester of his home church St Jacob in Bruges, where he served until the end of 1539. On 31 December 1539 he received his first payment as zangmeester of the Illustre Lieve Vrouwe Broederschap (‘Confraternity of Our Illustrious Lady’) in ’s-Hertogenbosch, a joint position with the chapter of the church of St Jan, for which he had probably already applied in ...

Article

Jeremy Leong

(b Vienna, 9 March 1885; d Vienna, 27 May 1964). Austrian Jewish music historian, educator, and critic. In 1912 he graduated from Vienna’s Imperial Academy of Science with a doctoral dissertation entitled Die indische Musik der vedischen und der klassischen Zeit (‘The Indian Music of the Vedic and the Classical Period’) under the supervision of Leopold Shröder. Felber’s dissertation remains an authoritative source for modern scholars interested in the recitation techniques and ethos of early South Asian music. Prior to his arrival in China, he was active in the Indian community in Vienna and had given lectures on Indian music at the Indian Club. Furthermore, he felt privileged to have met the legendary Nobel laureate Indian poet Rabindranath Tagore who was also a noted musician. During their meeting, Tagore shared his views on the aesthetics of European music and Indian classical music with him. After the Anschluss (...