Show Summary Details

Page of

Printed from Oxford Music Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 30 September 2022

Renaissancelocked

Renaissancelocked

  • Lewis Lockwood

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Page of
Die Musik in Geschichte und Gegenwart
Page of
A.W. Ambros: Geschichte der Musik (Leipzig, 1862-82/R)
Page of
R. Strohm: Music in Late Medieval Bruges (Oxford, 1985)
Page of
Renaissance Manuscript Studies (Stuttgart, 1975-)
Page of
Musical Quarterly
Page of
Zeitschrift für Musikwissenschaft
Page of
Music Review
Page of
Journal of Renaissance and Baroque Music
Page of
Papers of the American Musicological Society
Page of
Journal of the American Musicological Society
Page of
O. Strunk: Source Readings in Music History (New York, 1950/R)
Page of
International Musicological Society: Congress Report [1930-]
Page of
J. Kerman: The Elizabethan Madrigal: a Comparative Study (New York, 1962)
Page of
A. Pirro: Histoire de la musique de la fin du XIVe
Page of
Österreichische Musikzeitschrift
Page of
A. Einstein: The Italian Madrigal (Princeton, NJ, 1949/R)
Page of
Archiv für Musikwissenschaft
Page of
G. Reese: Music in the Renaissance (New York, 1954, 2/1959)
Page of
N. Pirrotta and E. Povoledo: Li due Orfei: da Poliziano a Monteverdi (Turin, 1969, enlarged 2/1975; Eng. trans., 1982, as Music and Theatre from Poliziano to Monteverdi)